Ted Allan in Spain: the movie, a graphic novel (a conceptual work),
is the second most beautiful book I ever...
here's the pocket book edition
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the most beautiful
book I ever saw was Arthur Beardsley's Morte d'Arthur.
I found it in a second hand book store in storied Lewis's High Street,
1960s for 25 quid, It's lavishly illustrated. Every page. Every page.
Now TAiS:tm, the graphic novel, does not have much of it's art work
yet, so I'm going to borrow Beardsley's drawings, a lot...
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Back to TAiS: the second most beautiful book
the blurb, when you open the first page, might read
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Ted Allan in Spain: the movie, an
historical novel by Norman
Allan
the skinny:
and you can skip the skinny if
you just want to get to the meat
January 1937:
Ted Allan turned 21 and readied to travel to Madrid to report on the
Civil War for the Daily Clarion, the Canadian communist newspaper, and
to work with his mentor, Norman Bethune - but Fred Rose, the Party Leader,
has neglected to tell the Clarion...
To get to Madrid
was an imperative. Ted Allan enlisted in the International Brigade;
traveling to Spain with 26 other North American volunteers... The Brigade
sends Ted to Madrid to report... on Bethune! We learn that all 26 of
Ted's traveling companions were dead within six weeks.
Ted tangled
with a bitter, and envious, Ernest Hemingway. (He had been kissing the
bride to be.)
Ted meets with
Robert Capa, the war photographer, and his companion, Gerda Taro. In
the movie, when Ted is troubled about how to handle "the problem
with Bethune", Gerda suggests to Ted that he send Bethune to China.*
Ted sends Beth back to Canada, and on ?
Capa leaves
Gerda in Ted's "care". Of course Ted falls in love. Ted and
Gerda visit the front to report on the battle of Brunette
Will the cub
reporter from Canada and the lovely war photographer survive the battle
of Bruenette... ?
* in the book, ",,,: the movie," we will learn
that this is not true is just a fiction of the movie
a Hollywood
plot**
** subplot? piece of shtick I think it is quite cute
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an historical novel by
Norman
Allan
Ted
Allan in Spain:
the movie
a graphic novel
first draft
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for John Lenthier
and all who died fighting fascism
Heart of the heartless world,
Dear heart, the thought of you
Is the pain at my side,
The shadow that chills my view.
The wind rises in the evening,
Reminds that autumn is near.
I am afraid to lose you,
I am afraid of my fear.
On the last mile to Huesca,
The last fence for our pride,
Think so kindly, dear, that I
Sense you at my side.
And if bad luck should lay my strength
Into the shallow grave,
Remember all the good you can;
Don't forget my love.
John Cornford
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preface:
Actually, this book, Ted Allan in Spain: the movie, is an historical
novel. But, I want you to think of it as a film, as a movie, so we'll
start in script form. (Note: every pair of even and odd, facing, pages
might have a cell of a "story board".) And we might boast
of our movie stars
starring
Ernest Hemingway
Norman Bethune
Robert Capa
Gerda Taro
and introducing
Marlon Brando as Ted Allan
The first draft runs thus
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Ted Allan in Spain: the
movie
by
Norman Allan
Norman Allan
555 Raven Rd.
Toronto Ont
.
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OVER A DARK SCREEN:
NORMAN (V.O.)
Ted, tell us about your time in Spain,
in the Civil War.
FADE IN:
INT. NEWSROOM OF THE DAILY
CLARION - DAY
An ASSISTANT leads TED through
a small newspaper news-room. (And perhaps this is in black and white
to put us in a 1937 frame of reference.)
NARRATOR
(V.O.)
Originally, I thought I was going to
go
as the Daily Clarion's war
correspondent. The Clarion was Canada's
communist newspaper. January 1937. I
went up to Toronto to pick up my
credentials."
Ted Allan (the ideal casting would be a young Marlon Brando, with an
Anglophone Montreal accent)
Ted is shown into the editor's office.
Leslie Morris, the Editor, rises to greet him
EDITOR
Ted Allan, cub reporter
Sorry, our
rising star Montreal reporter. Great to
see you. What brings you to Toronto?"
TED
And now special war correspondent, I thought.
I thought I should talk with you before
taking off.
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2
EDITOR
(shrugs.)
War correspondent? I don't understand.
TED
I'm going to Spain.
(he
pats his pocket)
Passport. Ticket. Sailing next week. I've
been planning this with the Party, with
Fred, Fred Rose. He told me, several times,
that he'd talked to you.
EDITOR
Fred Rose, The Party Chairman, that is,
mentioned the possibility. "Ted might,"
he said. He seemed to be just floating
a balloon. He did not say, "Leslie,
Ted is going. The Party wants you to send
Ted Allan. He just speculated. And, if
you had arrived here yesterday morning,
I'd have said, "Fine," and you
could have gone as the Clarion's correspond-
dent, but yesterday Jean Watts, from New
York, came in and offered to dispatch
to us from Spain. So now she's our Madrid
correspondent."
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3
TED
(in
disbelief)
I checked this, I double checked this
with Fred three, four time over the
last weeks. He said he'd talked to you.
EDITOR
That's our chairman.
(Leslie
Morris shrugs again),
DISSOLVE TO
INT. COMMUNIST PARTIES HEADQUARTERS,
MONTREAL - DAY
TED ALLAN and FRED ROSE are
standing facing each other in Fred Rose's office, Ted talking with passion.
TED
You said you'd spoken to him.
FRED
I spoke to him a while ago. I told him
you wanted to go.
TED
I've got my passport, ticket, said my
goodbyes.
FRED
The Party needs you here in Montreal.
TED
I'm going to Spain.
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4
FRED
The Party wants you here in Montreal.
TED
I'll join in the International Brigade.
FRED
You'd die in the trenches.
TED
I'm going to Spain. I'll enlist.
FRED
If you insist, you will die in the trenches.
DISSOLVE TO MONTAGE:
two old trucks crossing the Pyrenees.
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5
ROLL CREDITS: "Ted Allan
in Spain"
NARRATOR
(V.O.)
We came over the mountains, into Spain,
on the backs of two old trucks. Twenty
young Americans, seven Canadians, new
recruits to fight fascism.
CREDITS: Starring Ernest Hemingway
NARRATOR
(V.O.)
Wrapped in blankets: January 25th,1937.
Cold enough. My twenty first birthday.
Me, I'm Ted Allan. A volunteer. Spirits
high, but scared: Life on the line.
CREDITS: Dr. Norman Bethune.
NARRATOR
(V.O.)
Sure. Like Fred said, we were all probably
going die, but the fascists, the Nazis
had to be stopped, whatever the cost.
CREDITS: Robert Capa
MONTAGE: flatbed at the back
of a truck with about a dozen young men hunkered together. And one woman,
Jean Watts, the reporter now for the Daily Clarion in Spain. We hear
the trucks engine laboring as it climbs the mountains.
NARRATOR
(V.O.)
The trucks groaning round hair-pins.
Night falling. Sleeping out in the open.
Shivering till sleep.
CREDITS: and Gerda Taro
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